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The Tomb and Other Tales, by H. P. Lovecraft
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This extraordinary collection features 13 spine-tingling tales of delicious terror by the unquestioned master of the horror genre, as well as portions of stories he never fully completed. Discover how the mind of H.P. Lovecraft worked, and how much his early and late stories tell about this intriguing writer.
- Sales Rank: #1005994 in Books
- Published on: 1970-12
- Released on: 1986-02-12
- Original language: English
- Number of items: 1
- Dimensions: 6.87" h x .52" w x 4.18" l,
- Binding: Mass Market Paperback
- 190 pages
From the Inside Flap
This extraordinary collection features 13 spine-tingling tales of delicious terror by the unquestioned master of the horror genre, as well as portions of stories he never fully completed. Discover how the mind of H.P. Lovecraft worked, and how much his early and late stories tell about this intriguing writer.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Charlotte
Yes it did
8 of 8 people found the following review helpful.
Fascinating, but Lovecraft beginners should start elsewhere
By Daniel Jolley
In terms of readability or pure enjoyment, this title ranks low among the myriad Lovecraft titles. However, for the Lovecraft devotee, it offers enlightening insights into the author's writing. There is quite a hodge-podge of tales to be found in these pages. "The Tomb" is a fairly standard horror piece, "Imprisoned With the Pharoahs" is a story ghost written for Harry Houdini which I count among Lovecraft's lesser tales, "In the Walls of Eryx" is a compelling, uniquely Lovecraftian science fiction story set on Venus. "The Horror of Red Hook," while harkening to the types of unworldly themes Lovecraft came to be known for, is a somewhat dense story which I had unaccustomed trouble reading--largely, I feel, because it was written in the third person. "The Festival," "He," and "The Strange High House in the Mist" concern ancient rites and hints of unearthly terrors while also hinting at the dream worlds that Lovecraft so often contemplated; not surprisingly, I find these stories to be the best ones in this collection.
The really interesting parts of this book consist of a number of early tales and fragments. There are four stories Lovecraft wrote during his teens, and it is almost incredible to see the distinctive Lovecraft voice and style so well developed at such an early age. "Poetry and the Gods" and "The Street" are unusual and bear an ethereal air that did not find its way into his mature writings, while "The Beast in the Cave" and "The Alchemist" foreshadow the stories whose fame we now celebrate. The four story fragments are fascinating; though incomplete, they easily fit into a Lovecraftian world in that certain sometimes obscure references point to elements, characters, and themes developed more fully in other stories. One begins to see that all of Lovecraft's tales, Mythos and non-Mythos, share a mysterious thread or foundation. It is for this reason that I would not recommend reading this book without having read some of Lovecraft's better known stories. Certainly, those not yet fascinated by Lovecraft will reap small rewards from reading the fragments and early writings, and the other tales collected here are much less satisfying than those of the Cthulhu Mythos.
2 of 2 people found the following review helpful.
NOT LOVECRAFT'S BEST
By EMAN NEP
I guess THE BEST OF H.P. LOVECRAFT spoiled me. When I got to this book, I found the stories not near as frightening or appealing. There are some fragments in this book, though, and the most important thing is that they ARE fragments. No pastiche authors here, thank you. Then there's a part of the book showing off some of HPL's earlier work. It's interesting to compare his earlier work with his later work, to see how he matured as a writer. By the way, did you know that HPL ghost-wrote a story for HARRY HOUDINI? I didn't either, until I read this book. I give this book 3 stars because I feel that only books that are TRULY OUTSTANDING deserve 4 or 5 stars. Only books that are absolutely terrible and have no merit deserve 1 or 2. So I give this book a conservative 3 stars.
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