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The Silmarillion, by J.R.R. Tolkien
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"Majestic!...readers of THE HOBBIT and THE LORD OF THE RINGS...will find THE SILMARILLION a cosmology to call their own...medieval romances, fierce fairy tales and fiercer wars that ring with heraldic fury...it overwhelms the reader."
TIME
Those interested in J.R.R. Tolkien's Middle Earth should not be without this grand volume that tells the tragic tale of the struggle for control of the Silmarils, a struggle that would determine the history of the world long before the War of the Ring.
- Sales Rank: #14639 in Books
- Color: Gold
- Brand: Del Rey
- Published on: 2002-01
- Released on: 1985-01-12
- Original language: English
- Number of items: 1
- Dimensions: 6.90" h x 1.00" w x 4.20" l, .60 pounds
- Binding: Mass Market Paperback
- 480 pages
- Great product!
Amazon.com Review
The Silmarillion is J.R.R. Tolkien's tragic, operatic history of the First Age of Middle-Earth, essential background material for serious readers of the classic Lord of the Rings saga. Tolkien's work sets the standard for fantasy, and this audio version of the "Bible of Middle-Earth" does The Silmarillion justice. Martin Shaw's reading is grave and resonant, conveying all the powerful events and emotions that shaped elven and human history long before Bilbo, Frodo, Gandalf and all the rest embarked on their quests. Beginning with the Music of the Ainur, The Silmarillion tells a tale of the Elder Days, when Elves and Men became estranged by the Dark Lord Morgoth's lust for the Silmarils, pure and powerful magic jewels. Even the love between a human warrior and the daughter of the Elven king cannot defeat Morgoth, but the War of Wrath finally brings down the Dark Lord. Peace reigns until the evil Sauron recovers the Rings of Power and sets the stage for the events told in the Lord of the Rings. This is epic fantasy at its finest, thrillingly read and gloriously unabridged. (Running time: 14 hours, 6 CDs)
From Library Journal
The action of this volume predates even the above History titles as it relates the creation of Middle-earth, its beings and the coming of evil. Tolkien's Paradise Lost.
Copyright 2001 Reed Business Information, Inc.
Review
'How, given little over half a century of work, did one man become the creative equivalent of a people?' The Guardian 'Demanding to be compared with English mythologies at times rises to the greatness of true myth' Financial Times
Most helpful customer reviews
352 of 365 people found the following review helpful.
Tolkien's bible
By EA Solinas
Consider this -- J.R.R. Tolkien's fantastical epic "Lord of the Rings" is only the tail end of his invented history.
Yes, Tolkien spent most of his adult life crafting the elaborate, rich world of Middle-Earth, and coming up with a fictional history that spanned millennia. And "The Silmarillion" was the culmination of that work -- a Biblesque epic of fantasy history, stretching from the creation of the universe to the final bittersweet departure of the Elves from Middle-Earth.
A complete summary is impossible, because the book spans millennia and has one earth-shattering event after another. But it includes:
*The creation of Tolkien's invented pantheons of angelic beings under Eru Iluvatar, also known as God.
*How they sang the world into being, and the creation of Elves, Men, and Dwarves (hobbits are not really covered).
*The legendary love story of Beren and Luthien, a mortal Man and an Elf maiden who gives up her immortality for the man she loves.
*The attempts of the demonic Morgoth and his servant Sauron (remember him?) to corrupt the world.
*Feanor and his sons, and the terrible oath that led to Elves slaying one another.
*The Silmarils, the glorious gems made from the the essence of the Two Trees that generated the world's light.
*Elves of just about any kind -- bad, mad, dangerous, good, sweet, brave, and so forth.
*The creation of the many Rings of Power -- and the One Ring of Sauron.
*And finally, the quest of the Ringbearer, Frodo Baggins, and the final battle that would decide the fate of Middle-Earth.
If you ever were confused by a reference or name mentioned in "The Hobbit" or "Lord of the Rings," then chances are that "The Silmarillion" can enlighten you about what it meant. What is Numenor? Who are the Valar? Who is that Elbereth Gilthoniel that people keep praying to? How did the Elf/Dwarf feud originally begin? And how exactly is Elrond related to Aragorn?
For the most part, it focuses on the Elves and their history, especially where it intertwines with the history of Men -- although Dwarves and Hobbits don't get nearly as much ink devoted to them. But in that story, Tolkien weaves together stories of earth-shattering romance, haunting tragedy, gory violence, good versus evil, the rise and fall of cities and kingdoms, and much more.
However, it's not really written like Tolkien's other works. It's more like the Bible, the Mabinogion or the Eddas. Tolkien didn't get as "into" the heads of his characters here, and wrote a more detailed, sprawling narrative that would have needed countless books to explore in depth. But while his prose is more formal and distant here, it still has that haunting starlit beauty ("Blue was her raiment as the unclouded heaven, but her eyes were grey as the starlit evening; her mantle was sewn with golden flowers, but her hair was dark as the shadows of twilight").
It's clear to see, while reading this, the extent of Tolkien's passion for his invented history. Someone who had a lack of enthusiasm could not have spent much of his adult life writing, revising, and polishing a history that never was. It's also almost frighteningly imaginative and real: It isn't too hard to imagine that these things could actually have happened. In a genre clogged with shallow sword'n'sorcery, Tolkien's coherent, carefully-written backstory is truly unique.
Casual Tolkien fans probably won't be able to stick it out. But those who appreciate the richness and scope of Middle-Earth should examine "The Silmarillion," a sprawling fictional history full of beauty, tragedy and love. A work of literary genius.
451 of 479 people found the following review helpful.
A fantasy classic, but not for everyone
By Larry Bridges
"The Silmarillion" is perhaps the most unique and difficult-to-explain book I have read. It is among the books I love the most, but this might not be the case if I had not read it in a bizarre way that I can hardly recommend to anyone else, and yet may be the best way to read it. For ten or twelve years I skimmed through "The Silmarillion," "The Hobbit," "The Lord of the Rings," and many of Tolkien's posthumous books (many of which present the stories of "The Silmarillion" in different forms which Tolkien wrote at various times in his life) without reading the books verbatim. Only in the last twelve months have I read these books all the way through.
This was a wise way of approaching Tolkien's most famous works because of the odd nature of "The Silmarillion," which must be understood by anyone desiring to enjoy it. "The Silmarillion" is not a "novel," as are "The Hobbit" and "The Lord of the Rings" (Tolkien preferred the word "romance" to "novel" for LotR). "The Silmarillion" is well described by the subtitle on the front of the jacket of the Ted Nasmith-illustrated edition: "The Myths and Legends of Middle-earth". "The Silmarillion" is the equivalent, for the imaginary world in which "The Hobbit" and "The Lord of the Rings" take place, of a work like Hamilton's or Bulfinch's "Mythology". It does not tell one single story; rather it tells many stories in a briefer form, almost as though the stories are being synopsized rather than told. In a real sense "The Silmarillion" is a greater work than even "The Lord of the Rings" could ever be, since it contains not one but several stories with as much power and grandeur as that of LotR.
However, much of the book is written in the style of a tome of history, setting out the vast historical framework within which these unforgettable stories unfold, and thus seems dry and soporific to many readers. Moreover, large numbers of characters, often with similar names (seven important Elven characters have names starting with F, and six of them start with the letters "Fin"), are presented without space for them to be strongly characterized, so that the reader may be unable to become as engaged with them as with Frodo, Sam or Gandalf. This is where my bizarre manner of reading the book came in handy: I became familiar with all the characters over my years of skimming, and knew precisely who they were and how they were connected to each other when I finally read the whole book. Moreover, since I had often skimmed "The Silmarillion" before reading "The Lord of the Rings," I could appreciate the many references back to the former work in the latter. Although "The Silmarillion" was not published until many years after LotR, Tolkien had written all the stories that make up "The Silmarillion" before writing LotR. Many of LotR's references to past events, which contribute greatly to the impression it gives of taking place in a real world, are references to events told in "The Silmarillion". (No Hobbits appear or are mentioned in "The Silmarillion" until the last three pages of the book, when the events of "The Hobbit" and "The Lord of the Rings" are briefly described at the end of a section that explains how the events of "The Silmarillion" ultimately led to the events of those books.)
In my opinion, the creation myth with which "The Silmarillion" opens is one of the most intellectually and emotionally satisfying creation stories I have ever read; the chapter "Of Turin Turambar" presents a heroic tragedy comparable in grandeur to a Wagner opera and in depth and power of sorrow to a tragic opera such as "Il Trovatore" or "Tosca"; and the chapter "Of Beren and Luthien" presents Tolkien's very best story of all, perhaps the most unforgettable tale of love and adventure written in the twentieth century. But for readers to appreciate these treasures, they must be aware in advance of the unusual nature of "The Silmarillion," and not expect a fantasy adventure novel, a mere "prequel" to "The Lord of the Rings". These are the stories that are told in Frodo's world; they are to Frodo, Sam and Strider what "The Lord of the Rings" is to us: a saga of a vanished world of heartbreaking beauty, glimmers of which we can still see if we look hard enough.
(Some of Ted Nasmith's illustrations are better than others. The image of Luthien dancing in the wood is one of the best Tolkien-inspired paintings I've ever seen, especially since it leaves the ineffable beauty of Luthien's face to our imaginations. On the other hand, Galadriel's brother Finrod is not depicted as nearly good-looking enough in the painting of him singing by the campfire of the first Men to come into Beleriand.)
1 of 1 people found the following review helpful.
Interesting
By D. Arno
Reads like the bible in the beginning of every chapter and like the lord of the rings 3/4 of the way through each chapter. The names of any of the valar would make awesome band names. The nonsensical-sounding LOTR-speak in the movies makes perfect sense after reading this. names, origins, geographic regions, the dark feeling covering everything, all explained.
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