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First Edition, 1990. Hardcover with nice dust jacket. Light wear to the jacket. Robert A. Heinlein, Author. Edited by Virginia Heinlein. Originally sold for $19.95. Cream endpages. Spine is tight and straight. Pages are clean and free of markings or tears. Black paper boards with black cloth trim that leads to the spine, gilt lettering on the spine. A Del Rey Book, published by Ballantine Books, New York. Printed in the USA. Design by Michaelis/Carpelis Design Association, Inc. Contains black and white illustrations. Total 281 numbered pages. Jacket design by Darrin Ehardt. "Long before his death in 1988, Robert A. Heinlein had expressed the desire to have a selection of his letters published, after he was gone, and entitled 'Grumbles from the Grave'. But increasing pressure from his work and a series of major illnesses made it impossible for him to undertake the job of editing this himself. Now his wife, Virginia Heinlein, has taken on the labor of fulfilling his wish." Heinlein was well known for his science fiction writings. A good book to add to your collection of Heinlein books! *5BC3
- Sales Rank: #1503272 in Books
- Published on: 1990
- Released on: 1989-11-18
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 281 pages
- First Edition, 1990. Hardcover with dust jacket.
- Robert A. Heinlein, Author. Edited by Virginia Heinlein.
- Clean pages, spine tight and straight. A Del Rey Book published by
- Ballantine Books. Black and white illustrations. Total 281 pages.
- Jacket design by Darrin Ehardt.
From Library Journal
The late Heinlein, considered the "Father of Modern Science Fiction," was also a prolific letter writer. Virginia Heinlein, his wife of 40 years, has skillfully organized a selection of his voluminous correspondence. The result is a memoir that will appeal not just to fans, but to anyone interested in the creative process. Heinlein's letters, mostly addressed to his long-time agent, are grouped into topical chapters: "About Writing Methods and Cutting"; Fan Mail and Other Time Wasters"; and "Stranger," (referring to his novel, Stranger in a Strange Land ). Other chapters cover domestic concerns, travel, etc. Coupled with Virginia Heinlein's commentary, this arrangement helps alleviate the disjointedness often associated with similar compilations. While the book is not autobiographical, it does reveal the psyche of a popular science fiction author. Highly recommended for libraries from high school level on up.
- Gary D. Barber, SUNY at Fredonia Lib.
Copyright 1990 Reed Business Information, Inc.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Heinlein's thoughts, poorly edited
By SPM
This collection of Robert Heinlein's letters would be very interesting if they were not cut into small chunks and arranged in a non-threatening manner. Heinlein struggled in the early years, working hard for recognition, trying to please indifferent editors, and this book documents that struggle. But nearly every letter is edited heavily, abruptly ended just as Heinlein gets going. The overall picture is fractured, leaving the reader to guess about the missing contents.
But the book is still worth a look. It provides a behind-the-scenes view of writing science fiction in the 1940s, 1950s, and 1960s, showing how the field grew from stories about rocket ships to social commentary. Heinlein rode the wave from short story writer to literary author, and these letters show that progression. Unfortunately, the editing removes too much of the story. The editor did make one good move, however --- she devoted two chapters to letters about Stranger in a Strange Land. The background on this seminal sci-fi novel is interesting. I recommend this book to anyone who wants to know more about the history of science fiction. Other readers may be disappointed.
7 of 7 people found the following review helpful.
Why all the negativity?
By Bill R. Moore
I am confused by some of the other reviews of this book. Not just by the low scores, but also with the comments therein. The majority of the complaints about the book seem to be directed at Heinlien's political views and his adamantness derived therefrom. Now this is all well and good, everybody is entitled to their opinion, but the weird this is... THERE ARE ALMOST NO POLITICS IN THIS BOOK! Okay, so what is the book about then? Well, it's exactly what you'd expect, it focuses mainly on Robert's writing career. Sure, there are a few political meanderings here and there, but they are extremely few and far between. Such off-target reviews are almost enough to make one wonder whether or not these people actually read the book. Instead, this book consists of a large body of letters that were written before and (usually) after the publication of a Heinlein opus. From his first published stories, to his juveniles, to his controversial adult novels, they're all covered here. The letters show a lot about what went into the making of his works, and also shows some other interesting things, such as the trouble that RAH seemingly always had with editors and getting his words out like he wanted to. There is also a picture and sypnosis of the original version of most of the stories and novels that RAH put out. There are also letters on various other topics (such as travel, house-building, domestic life, etc.), plus a short biography of Robert (written by his wife), and a highly convenient bibliography. My only complaint about the book is that there is almost no mention made of his books written after I Will Fear No Evil. True, this isn't his best work, but they are important, and do indeed contain some fine novels (JOB, Friday). Perhaps, due to the author's deteoriating health at this time, there weren't really any letters written. However, one wishes whatever there was was included so as to make this book complete. Thus, it's not perfect, but certainly not as bad as some other have apparently made it out to be.
10 of 11 people found the following review helpful.
From the Artist Who Hated His Work Being Called 'Art'
By Patrick Shepherd
Beginning writers are advised to 'write what you know'. But if you're a writer of science fiction, where the environment is necessarily something different from the everyday world of now, how can you do this? For those who have read Heinlein's fiction, this book will provide some insights into just how this feat is accomplished. Within these pages you will find the genesis of:
The detailed space-suits of Have Spacesuit, Will Travel from his period of engineering research work on high altitude pressure suits during WWII.
How to build plumbing, bomb shelters, and move boulders from his work on his Colorado Springs house (Farnham's Freehold).
The marvelous characters of the cats that appeared in Door into Summer and The Cat Who Walks Through Walls from the cats that at various times in his life were co-owners of his habitats.
The knowledge of fencing so evident in Glory Road from his time on the fencing team at Annapolis, and the entire cadet experience that became part of the 'Lazy Man' episode of Time Enough for Love.
These are just a few of the examples of where incidents in Heinlein's life became part of his fiction, giving it that 'true to life' feel so common in his works and so rarely found in other SF writers of his generation. But this book is not a well laid out autobiography, but rather a collection of his letters to various people, mainly his literary agent, and often the items described above are included as an aside to the main subject of the letters.
Most of the material concerns itself with the details of how each of his stories was generated, the arguments he had with various editors (especially a certain one at Scribners), his working habits and the problems that prevented him from working at various times. For the Heinlein scholar or fan, this is a gold mine, providing much insight into almost all of his work. And Heinlein's own character shines through these letters, a proud, patriotic, self-disciplined, stubborn, highly opinionated, occasionally abrasive man who knew the worth of his labor and his effect on literally millions of his readers.
The letters are organized by theme (Beginnings, Juvenile Novels, Adult Novels, Travel, Fan Mail, Building, etc) and this easily allows the reader to see the progression of ideas and events within each of these subjects. But it has a downside in that items referenced in, say, the Building section have direct impacts on his writing schedule for a book covered in the Juvenile Novels section. Sometimes these relationships, while important, are not obvious to the reader due to this structure. After reading this book twice, and seeing just how much this type of thing occurs, I think I would have preferred having the letters organized in pure chronological order.
This is not a book for someone who has not read at least a few of Heinlein's fiction works, as the material will hold little interest other than some points on how the publishing industry works and just how this particular writer worked (which is not the writing class recommended method). But for those who, like myself, have read all or most of his works, this book can add a richness of background to his fiction works, a sense of 'growing closer' to the man who many call the greatest writer of science fiction, ever.
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