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The Dramaturges of Yan, by John Brunner
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Del Rey / Ballantine, paperback, 1982. A lesser known Brunner work, first published in 1972. A dramaturge is an artist in dramatic presentation... and whoever had built the prehistoric artifacts on Yan had known the art of dramaturgy well. Studying these astonishing objects has the sole reason for the tiny human colony there. The humanoid natives did not seem to care. It was not until the galaxy's greatest dramaturge, Chart, and his theatrical company arrived with the intent of putting on one of his spectacular planet-wide celestial shows that the Yanfolk stirred from their indifference.
- Sales Rank: #4499219 in Books
- Published on: 1982-11-12
- Released on: 1982-11-12
- Original language: English
- Binding: Mass Market Paperback
- 185 pages
Most helpful customer reviews
4 of 5 people found the following review helpful.
Amazing Concept - what happened?
By Mithridates VI of Pontus
Imagine a universe where art has evolved to the point where it utilizes images, computers, mythology, drugs, history etc that a man can single handily bring about a monumental shift in a culture's society. Even occasionally bringing about a past "culture/realization of past" that had long since dissipated on a planet. All this, as one might imagine, for a gigantic price.
John Brunner (of Stand on Zanzibar, The Sheep Look Up, and The Jagged Orbit fame) weaves (or rather lumps together) a narrative of the arrival of Gregory Chart "who wished to stage the Golden Age of Yan". Unlike Chart's other monumental "art/culture changing" projects, this expedition is his first for an alien species. The Yanfolk are boring. Humans are interested in the Yanfolk because humans can have "special" relations with them (i.e. humans are only interested in compatible Yanish pleasure organs and Yanish drugs). Humans call them apes throughout the book. Even outwardly sympathetic humans call them apes. Even humans who translate their epics and claim to appreciate their culture call them apes. The Humans realize what Chart is up to while Yanfolk what Chart to stay to bring about their Golden Age. The problems with this novel are manifold and manifest. Too many viewpoints bog down any character development (unlike Stand On Zanzibar where Brunner is conscientiously making a non-novel). The Yanfolk are boring (the humans only like them because of the stated reason above). Oh, and I forgot, the humans don't need space ships any more. To travel from planet to planet they hop on special surf boards after being brainwashed with the planet coordinates and zip from place to place.
Read Brunner's masterpieces. Stay away from this drivel. The concept is fascinating but the flaws make this laughably bad. 1.5/5
0 of 9 people found the following review helpful.
Not Free SF Reader
By average
Big Art reaction time.
A leading and not exactly shy and retiring artiste decides that he would like to put on a show on the planet Yan.
This joint is notable for the structures there that are being studied, and that our artiste protagonist is interested in.
No-one thought to ask the locals, who up until now haven't minded the small presence on their planet.
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